Because it was not an attractive job they made the wages higher and gave them rights. The sign falls down, and the trees grow tall.Īnd we forget why we should be there. And what forces will motivate people to do something about it.Ĭommon good? For profit? Maybe we forget about it. When will someone clean this up, how long will it stay like this. Wanting us to stay out, warning us of danger. The tree is holding the sign, as if it is all a trick. Again what protects me takes on this unexpected beauty. The tarp has a magic glow through the dirty windows. The blue tarp of the abandoned building is so beautiful. YES I´ll say there is Quicksand! No-one in their wildest dreams would walk somewhere if the think there is quicksand! Whenever I make to big of a mess I will put up a big fences around it and prohibit people to go there. Maybe I´m gonna apply this technique in my own life. This land might be made illegal for practical reason. It is beautiful to get an insight into our future past. The trees are tall and covered in plants. I think if they really care they should come back every 20 years and exchange the sign with something closer to the contemporary awareness. Watch out, remains of explosions might harm people the capital had not intended.Īnd instead of admitting to this very fact of danger they pull an old trick out of their sleeve. I think they are too afraid to heed the correct warning: The space changes colour, and I do not have to walk far before I come across a sign. The old lamp post seems confused somehow. He could give it all to charity and it would relieve him of nothing. The bonus check he got was an award after a productive year. Spending his hard earned war-tainted money on this hideous costumer idea of love and affection. Nothing feels more meaningless than the expensive Christmas gift, bought by the factory higher ups. The practical intentions of one generation become ornaments for the next.Īs I approach the gate I see no other warning than the fact that it is locked. The space behind is nether public nor private, but dangerous.Īrchitecture built with a catastrophe in mind ends up being really beautiful. The forest behind the fence has a certain self-righteous glow. These contracts of ownership, like toxic waste it denies me access. But as I am saying this I see a connection to private land. Box it in and call that space inhabitable. Interesting solution to take the pasts mistakes and put a fence around it. they are kind enough to grand us permission. Visited metal recycling plant Overdie Zaandam to ask if we can record their precious metal clanging sounds. Tried FFT scanning and fast granular scanning to see how field recordings might sounds sped up / summarized. Made a 3d mockup of the "Grey Space" to see how the map of the area might fit into the physical space. What kind of sound will be the voice of these places? FFT analysis, granular, field recordings, rope space recording? maybe we can make all voices switch state based on audience interaction. thinking about ways to interact with these voices, location tracking, distance, proximity and motion sensors. talked about giving certain buildings/places a "voice" in a spacious audio visual installation. Once back in the cellar we discussed how the exposition could be a maquette of the area. Harvested data from Absorbuis #001 but it seems corrupted. Talked about what should be in the film, Thessa is a filmcritic and so is Andreas, this means Nathan should also be one and let's all pee over the same video then. decided to make a docu-film instead of a booklet. We need a tour from an ex-employee to find out what happened here.Ĭoffee and leftover sandwich at Lab 44 while brainstorming about potential presentation forms. The tunnel is so torn and beaten up, what did it look like originally? what is left of it now? What was our studio used for before? At the end there is a weird tunnel in which you can the people above speaking. Exciting texture and objects can be found, empty plastic bullet shells, bullets, torn cloth, broken wood, holes in rusty metal. The tunnel has reflections that are very different dependent on where you are standing. switch between fft freezes / profiles on new triggers. or as pipe where the triggers are the holes. every tape is a trigger that sets off a different horizontal sound. Thinking about the ropes as drainage pipes that leak sound horizontally and vertically. making the building daydream by replaying sound of the past in their original recording spaces.Įnviro+ microphone does not work which is sad as the project is about sound, looking for replacement.Īwareness of alternatives - how to give the visitor the ability to skip through instants, both historical and present. We need data from before, maps, (sound) recordings and memories of the past, stories, smells, objects. We want to research deeper into the historical side of the HEM terrain.
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